ACCESSIBILITY FOR IMMERSIVE & INTERACTIVE DOCUMENTARY MEDIA

_Pushing Boundaries

Independent talent and public media drive innovative storytelling. As we’ve seen at AIR where we work with creative independent multimedia…

_Setting a Cultural Stage for Social Impact

by Lina Srivastava

They use their art to create avenues for political and social framing, empathy and change, or direct action. And they set a cultural stage…

_Let’s Not Forget the Climate Crisis

by MIT Open Documentary Lab

Here are exemplar projects using innovative media approaches bringing the urgency of climate change into our everyday lives.

_Constraints

by Eran Hadas and Udi Ben-Arie

Narratologist Shlomith Rimmon-Kenan addresses the effect that the media may have on artworks. Rimmon-Kenan argues that the inherent properties…

_In Search of Truth

by Kamal Sinclair

I’m fascinated by the relationship of “point-of-view” to our understanding of truth. I’m amazed by how vehemently we hold on to…

_Interactive Documentary: My Favorite Latin Projects

by Arnau Gifreu

Canada and France are always going to be the pioneering leaders in the production of interactive documentaries. It seems that other countries,…

_Documentary Games

by The MIT Game Lab

The MIT Game Lab explores the question, "what is a documentary game?"

_Harsh Wonder: The Mystery & Reality of Being Alive

by Wendy Levy

I think a lot about this Mary Oliver quote: “The most regretful people on earth are those who felt the call to creative work, who felt…

_Full Spectrum Documentary on the Climb

by Jessica Clark

Since 2008, AIR has been cultivating an emerging documentary form: “full spectrum public media.” Such creations extend beyond the…

_Let’s play with documentary!

by Cédric Mal

Since the very beginning of cinema, documentary has played. With its characters (Nanook of the North), with reality (all modern mixes between…

_Documentary as Co-Creation

by Mandy Rose

In the context of networked culture the ground beneath documentary has shifted. Cheap, accessible, and mobile production tools make the…

_The New Visual Documentary

by Liza Faktor

The new visual documentary is different from what already exists in the well-defined editorial, film, broadcasting, and art contexts, both…

_Re-Enchanting Spaces: Participatory Location-Based Media

by Sue Ding

Location-based media—physically or digitally linked to physical locations, conceptually connected to these locations, and designed to…